All Fra Angelico Oil Paintings

Fra Angelico Galleries b.c. 1400, Vicchio, Florence d.Feb. 18, 1455, Rome Fra Angelico (c. 1395 ?C February 18, 1455), born Guido di Pietro, was an Early Italian Renaissance painter, referred to in Vasari's Lives of the Artists as having "a rare and perfect talent". Known in Italy as il Beato Angelico, he was known to his contemporaries as Fra Giovanni da Fiesole (Brother John from Fiesole). In Giorgio Vasari's Lives of the Artists, written prior to 1555, he was already known as Fra Giovanni Angelico (Brother Giovanni the Angelic One). Within his lifetime or shortly thereafter he was also called Il Beato (the Blessed), in reference to his skills in painting religious subjects. In 1982 Pope John Paul II conferred beatification, thereby making this title official. Fiesole is sometimes misinterpreted as being part of his formal name, but it was merely the name of the town where he took his vows, used by contemporaries to separate him from other Fra Giovannis. He is listed in the Roman Martyrology as Beatus Ioannes Faesulanus, cognomento Angelicus??"Blessed Giovanni of Fiesole, nicknamed Angelico". Fra Angelico was working at a time when the style of painting was in a state of change. This process of change had begun a hundred years previous with the works of Giotto and several of his contemporaries, notably Giusto de' Menabuoi, both of whom had created their major works in Padua, although Giotto was trained in Florence by the great Gothic artist, Cimabue, and painted a fresco cycle of St Francis in the Bardi Chapel in Santa Croce. Giotto had many enthusiastic followers, who imitated his style in fresco, some of them, notably the Lorenzetti, achieving great success.
 

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Fra Angelico Story of St Nicholas oil on canvas


Story of St Nicholas
Story of St Nicholas
Painting ID::  52076
  1437 Tempera on wood, 34 x 60 cm
  1437 Tempera on wood, 34 x 60 cm

Height    Width


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Fra Angelico Story of St Nicholas oil on canvas


Story of St Nicholas
Story of St Nicholas
Painting ID::  52077
  1437 Tempera on wood, 34 x 60 cm
  1437 Tempera on wood, 34 x 60 cm

Height    Width


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Fra Angelico Annalena Altarpiece oil on canvas


Annalena Altarpiece
Annalena Altarpiece
Painting ID::  52079
  1437-40 Tempera on wood, 180 x 202 cm
  1437-40 Tempera on wood, 180 x 202 cm

Height    Width


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Fra Angelico Presentation of Jesus in the Temple oil on canvas


Presentation of Jesus in the Temple
Presentation of Jesus in the Temple
Painting ID::  52082
  1440-41 Fresco, 158 x 136 cm
  1440-41 Fresco, 158 x 136 cm

Height    Width


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Fra Angelico Communion of the Apostles oil on canvas


Communion of the Apostles
Communion of the Apostles
Painting ID::  52084
  1451-53 Tempera on wood, 38,5 x 37 cm
  1451-53 Tempera on wood, 38,5 x 37 cm

Height    Width


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     Fra Angelico
     Fra Angelico Galleries b.c. 1400, Vicchio, Florence d.Feb. 18, 1455, Rome Fra Angelico (c. 1395 ?C February 18, 1455), born Guido di Pietro, was an Early Italian Renaissance painter, referred to in Vasari's Lives of the Artists as having "a rare and perfect talent". Known in Italy as il Beato Angelico, he was known to his contemporaries as Fra Giovanni da Fiesole (Brother John from Fiesole). In Giorgio Vasari's Lives of the Artists, written prior to 1555, he was already known as Fra Giovanni Angelico (Brother Giovanni the Angelic One). Within his lifetime or shortly thereafter he was also called Il Beato (the Blessed), in reference to his skills in painting religious subjects. In 1982 Pope John Paul II conferred beatification, thereby making this title official. Fiesole is sometimes misinterpreted as being part of his formal name, but it was merely the name of the town where he took his vows, used by contemporaries to separate him from other Fra Giovannis. He is listed in the Roman Martyrology as Beatus Ioannes Faesulanus, cognomento Angelicus??"Blessed Giovanni of Fiesole, nicknamed Angelico". Fra Angelico was working at a time when the style of painting was in a state of change. This process of change had begun a hundred years previous with the works of Giotto and several of his contemporaries, notably Giusto de' Menabuoi, both of whom had created their major works in Padua, although Giotto was trained in Florence by the great Gothic artist, Cimabue, and painted a fresco cycle of St Francis in the Bardi Chapel in Santa Croce. Giotto had many enthusiastic followers, who imitated his style in fresco, some of them, notably the Lorenzetti, achieving great success.

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